Conference Stream 37
11th Critical Management Studies Conference
June 27-29, 2019
The Open University, Milton Keynes, UK
The domination-exploitation of human beings begins with animals, wild beasts and cattle; the humans associated with these inaugurated an experience that would turn back against them: killings, stockbreeding, slaughters, sacriﬁces and (in order better to submit) castration. All these practices were put to the test and succeeded. The castration of beasts, what power! And what a symbol of anti-nature…the living (except those who accepted domestication, such as cats and dogs) provided a raw material, a primary substance [matière prémière] that each society treated in its own way. After which human beings separated themselves from each other: on the one hand the masters, men (sic) worthy of this name – and on the other, the subhumans, treated like animals, and with the same methods: dominated, exploited and humiliated.
HENRI LEFEBVRE, Rhythmanalysis: Space, Time and Everyday Life, 2004
Henri Lefebvre, along with some perceptive members of the Frankfurt School such as Max Horkheimer, Theodor W. Adorno, and Herbert Marcuse (Gunderson, 2014), was one of the few 20th century sociologists to consider the position of animals in Western culture and society. He theorised that animals form the material base from which societies are built. It was through the control of animals that complex societies could be developed and further this created a situation where humans came to believe they had mastery over nature (Plumwood, 1993) and then by same token, these techniques of control over animals could be applied to certain humans as well (Krawczyk & Barthold, 2018). In fact, the term management, as Gibson Burrell (1997) reminds us, derives from the Italian word manegiare, which refers to the archaic practice of training horses through often cruel forms of animal handling. Hence, in our precarious present, we can perhaps sense how both non-human animals and groups of people with certain ‘social markings’ who as consequence have also been animalised, are made to sustain the lives of other humans, who seem unaware of the ethical costs of living their lives as they are.
It is very worthy and noble to articulate the grave situation faced by animals and animalised humans in culture and organization and then deliberate about the moral issues around this. However, in the spirit of constructing open futures where more beings are free from exploitation, the application of ethical frameworks is of fundamental importance to change these exploited relations. Such ethical frameworks should not only eschew from the rationalist and abstracted approaches, which have only served to create this dire situation of the precarious present because many humans have lost the ability to grieve for human lives (Butler, 2009), let alone consider that animals can grieve too (King, 2013). A more embodied approach to ethics, “the indissoluble relation between thinking and feeling” (Pullen & Rhodes, 2015, p.161), may well be needed here.
The application of a more embodied approach to ethics that also accounts for both animal and animalised humans can be found in the work of Pick (2011), she calls a creaturely ethics that takes the position that living beings, regardless of being human or not, are vulnerable beings prone to violent forces. Her work blurs the divide between the ontological status of both animals and humans, which can be the starting point of our discussions in this stream. Pick believes that individuals and societies have an obligation to try and protect vulnerable beings from violent exposure and exploitation.
Drawing on the philosophical writings of Simone Weil, Pick further argues for ‘creaturely poetics’ for ‘the creature, then, is first and foremost a living – body – material, temporal, and vulnerable’ (p. 5). At the same time, vulnerability is not a mundane fact of life. Weil (1953 as cited in Pick, 2011, p. 3) believes that: “[T]he vulnerability of precious things is beautiful because vulnerability is the mark of existence.” At the first instance, it seems counter-intuitive to conceive of the vulnerability of living beings as beautiful, particularly when violence is inflicted upon them. But if, as Pick (2011) argues, “fragility and finitude possess a special kind of beauty, this conception of beauty is already inherently ethical. It implies a sort of sacred recognition (our emphasis) of life’s value as material and temporal” (3). In turn, this understanding of sacredness invites a reverence for the lives of others for it encourages a mode of thought that in our view, is an expansive love, to some even reflecting a form of divine suffering (Linzey, 2009). A type of love born out of the sharing of organizational space (O’Doherty, 2016), inspired by a caring ethic that heightens visibility and moral consideration (Connolly & Cullen, 2017) or ethical affordances (Warkentin, 2009) to other-than-human animals. Arising from this embodied ‘moral imagination’ (Hamington, 2008) which these relationships bring forth, empathy and care can extend beyond previously considered limitations to animals, but also certain groups of humans as well or at some intersection of the two. Afterall, a number of poststructuralist thinkers, such as Derrida (1997/2008, 2009) and Deleuze and Guattari (2004/1987), have emphasised the continuity between human and non-human animals in addition to developing critiques of anthropocentrism.
The convenors of this stream welcome submissions that explore the vulnerability of diverse subjects - both animal and human - within multiple contexts and different disciplinary fields of study. This includes disciplines that are not traditionally associated with management and organizational studies, such as cultural analysis, anthropology, history, film studies, art history, contemporary art studies, visual culture, ethnic and racial studies, ecological studies, cultural studies, queer studies, settler and colonial studies, indigenous studies, literature, health care, religious studies, theology, area studies, various subfields of sociology, legal studies, politics, education, social work, environmental humanities, philosophy, interdisciplinary studies and other research fields that are still emerging. The overarching aim is to wrestle with the idea of the vulnerability of life and consider the possibility of sustaining ethical relations between beings that are intrinsically motivated by love, but often exists in contexts that are not always conducive to sustaining such relations. Hence, submissions to this stream could consider how an organizational, institutional or industrial context plays some role in hindering and/or facilitating ethical relationships in multiple contexts or settings.
Burrell, G. (1997). Pandemonium: Towards a retro-organisation theory. London: Sage Publications.
Butler, J. (2009). Frames of war: When is life grievable? London: Verso.
Connolly, L., & Cullen, J. (2017). Animals and organisations: An ethic of care framework. Organization & Environment, 1-19.
Deleuze, G., & Guattari, F. (2004/1987). A thousand plateaus: Capitalism and schizophrenia (B. Massumi, Trans.). London: Continuum.
Derrida, J. (1997/2008). The animal that therefore I am (D. Wills, Trans. M.-L. Mallet Ed.). New York: Fordham University Press.
Derrida, J. (2009). The beast and the sovereign, Volume I. Chicago: The University of Chicago Press.
Gunderson, R. (2014). The First-generation Frankfurt School on the animal question: Foundations for a normative sociological animal studies. Sociological Perspectives, 57(3), 285-300.
Hamington, M. (2008). Learning ethics from our relationships with animals: Moral imagination. International Journal of Applied Philosophy, 22(2), 268-284.
King, B. J. (2013). How animals grieve. Chicago: The University of Chicago Press.
Krawczyk, V. J., & Barthold, C. (2018). The affordance of compassion for animals: A filmic exploration of industrial linear rhythms. Culture and Organization, 24(4), 268-284.
Lefebvre, H. (2004). Rhythmanalysis: Space, time and everyday life. New York: Continuum.
Linzey, A. (2009). Why animal suffering matters: Philosophy, theology, and practical ethics. Oxford: Oxford University Press.
O’Doherty, D. P. (2016). Feline politics in organization: The nine lives of Olly the cat. Organization, 23(3), 407-433.
Pick, A. (2011). Creaturely poetics: Animality and vulnerability in literature and film. New York: Columbia University Press.
Plumwood, V. (1993). Feminism and the mastery of nature. London: Routledge.
Pullen, A., & Rhodes, C. (2015). Ethics, embodiment and organizations. Organization, 22(2), 159-165.
Warkentin, T. (2009). Whale agency: Affordances and acts of resistance in captive environments Animals and agency: an interdisciplinary exploration. In S. McFarland & R. Hediger (eds) Animals and agency: An interdisciplinary exploration (pp. 23-43). Leiden: Brill.
Victor J. Krawczyk, School of Creative Industries, University of South Australia, Australia
Freya Higgins-Desbiolles, School of Management, University of South Australia, Australia
Deirdre Tedmanson, School of Psychology, Social Work and Social Policy, University of South Australia, Australia
Lucy Connolly, School of Business, Maynooth University, Ireland
Charles Barthold, School of Management, Open University, UK
M. Anne Hamilton-Bruce, Research Programme at The Queen Elizabeth Hospital; School of Medicine, Faculty of Health Sciences,
University of Adelaide, Australia
Chris Krolikowski, School of Management, University of South Australia, Australia
Caroline Adams, School of Health Sciences, University of South Australia, Australia
Please submit a 350 to 500 word abstract.
References excluded from word count.
Abstract should be single page word document that is single spaced with no header, footer or track changes.
Send abstract with your contact information to firstname.lastname@example.org
The deadline for submission of abstracts is January 31st, 2019.
We will notify you of our decision by the end of February.
For more details about the 11th Critical Management Studies Conference, along with other conference streams one can submit to please click the link below:
Top Image: PIETER HUGO. The Hyena & Other Men [Photograph from series], 2005-2007.
Middle Image: EADWEARD MUYBRIDGE. Animal Locomotion, Plate 646 [Photograph], 1887.
Bottom Image: EADWEARD MUYBRIDGE. Animal Locomotion, Plate 773 [Photograph], 1887.
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